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The FS7 delivers a maximum of 180 frames per second (fps) continuous shooting in Full HD. If your project plays at the cinematic 24 fps, you get beautiful 7.5x Super Slow Motion. There's no sacrifice in bit depth and no "windowing" of the sensor. So there's no crop factor, no loss in angle of view.

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It has a Full Frame mode and a Super 35 Mode for shooting video. In full frame at 24fps, you can get a full field-of-view readout of your lenses, with no pixel binning. At 30fps, you get 1.2x crop. Using Super 35mm Mode, you get 1.5x crop. Aug 31, 2020 at 10:16 PM

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Feb 27, 2018 · Am I the only one who has a problem with the 2x crop factor at 5k on the epic w? I need 60fps for music videos but the 2x crop is a deal breaker what are other people thoughts on it? You don't have to step down to 5K if all you need is 60fps.

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At 4.5K resolution, the DRAGON crop factor approaches Super 35 mm Film (3-perf). "Equivalent Focal Length" refers to the equivalent focal length that would mimic the angle of view of the current resolution setting if it were used on the chosen reference sensor.

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On exprime alors le Crop Factor avec un multiplicateur qui indique à quel point on recadre. Quand on parle par exemple d’un Crop Factor x2, cela signifie que les dimensions de l’image finale sont 2x fois plus petites que les dimensions de l’image de base. Mais c’est surtout la conséquence de cela qui nous intéresse.

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Developed with an idea of combining the Cinema EOS series with the EOS R series, the new EOS C70 RF Cinema Camera offers exceptional image quality and professional video features in a compact and mobile form factor, perfect for documentary, news gathering, and corporate videos.

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Compared to the FX9’s FF 6K mode, the FX9’s S35 scan modes have a crop factor of 1.5. This means that if you were to use a 50mm lens and S35 scan, it would give you a field of view (FoV) the equivalent to the FoV of a 75mm (50 x 1.5) lens with FF 6K scan. The crop factor for the FF crop 5K scan is 1.25x.

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Sep 24, 2015 · Still photographers had been aware of crop factor for a long time, but it was a fairly new concept for people shooting motion. (Yes there was 35mm vs 16mm but nothing like the variety of crop factors today)

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Oct 11, 2017 · The crop factors of the cameras increase the effective focal length and avoid vignetting when shooting wide anamorphic. In fact, 2x anamorphic can be thought of as a kind of “ focal reducer ” for certain cameras, eliminating the 2x crop factor of micro 4/3 lenses.

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May 18, 2015 · Hi Fausto. Your calculations are with MFT/GH4 in mind, but this is not a GH4 guide, so such cancellations will be wrong Super35 or Super16. I simply multiply the focal length by 0.72 and then depending on your camera you then add either 1.5x, 1.6x, 2x, 2.88x if you want to see what the FF equivalent will be.

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May 29, 2020 · Murphy’s’s goal was to create the most useful and full-featured crop factor calculator on the Web. ... “Another great feature is that you can choose between a full-frame and super 35 formats
It's a bit of both, it seems. While the 35 mm sensor clearly created a wider picture, it's also a somewhat lower-magnification picture than the APS-C picture. To see that, grab both photos and crop out the house in the middle. The APS-C house is about 151x136 pixels, whereas the 35 mm house is about 118x104 pixels.
A larger crop factor (2× multiplier, versus 1.5× or 1.6× on APS-C) means greater depth-of-field for the same equivalent field of view and f/stop when compared with APS-C and especially full frame cameras. This can be a disadvantage when a photographer wants to blur a background, such as when shooting portraits.
crop factor 1.6 forever as Super 35 is basically the same as APS-C". And then I wanted to yell. However, I soon realised that crop factor appears to have come from sensor sizes smaller than "full frame" (from here on 8/35), and all other cameras being equal shoot 4-perf... Is it just me or should we not be comparing 3-perf to 8-perf anyway?
Today, we generally accept Super 35 to mean the image has a 1.4-1.6x crop factor from a Full Frame imager.

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Whilst Canon uses a factor of 1.6×, the other four brands all use 1.5×. APS-C cameras use a smaller area to form the image than traditional 35 mm cameras, and so lenses used on APS-C format cameras have a correspondingly narrower field of view. For example, a 28 mm lens is a wide angle lens on a traditional 35 mm camera.
Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting. Super35 full height 2.0x squeeze anamorphic For anamorphic shooting and production, Super35 full height 2 x squeeze anamorphic is supported.